filmwaves.co.uk

Issue 22 (FW35)
Edited by Chris Meigh-Andrews: The Venice Biennale

Chris Meigh-Andrews
Looking at Recent Moving Image Work at the 52nd Venice Biennale from an international Perspective
Aneta Krzemien
Stories from ‘Bad’ Territories – notes on selected moving image work at the 52nd Venice Biennale
Cinzia Cremona
Intimacy in Excess
Vince Briffa
The (Inter)national (Inter)face of (Inter)action – a look at some of the technologically interactive works at the 52nd International Venice Biennale

Issue 21 (FW34)
Edited by Laura Malacart: DOCUMENTA 12

Laura Malacart
What’s Art Got to Do with It?
Anne Robinson
All At Sea: Johanna Billing and Dias & Riedweg at Documenta 12
Russell Martin
Above All, We Seek Enlightenment, but only Ever Find Things.
Gill Addison
The Ties that Bind

Issue 20 (FW33)
Edited by Michael Maziere: The dispersed subject

Michael Maziere
The Dispersed Subject
Steven Ball
Background, Foreground, Middle Distance Landscape, Technology, Subjectivity and Artist’s Time Based Media
Cate Elwes
The Declared Camera of Margaret Tait
Michael Maziere
Tim Macmillan Talks about the Origins and Role of the Time-Slice Camera in His Artwork

Issue 19 (FW32)
Edited by Doran George: The documentary explosion

Doran George
Defending America: The Silent Partner to the Documentary Explosion
Jo Minion
Fuck Entertainment
Lauren Hartman
PEACE OUT: The Emergence Of Activist and Documentary Gaming. Interview with Jeff Cain
Susan Stryker
Dismembering and Remembering: Arts Practice, Documentary Film, and Transsexual Theorizing

Interview With Sandi Dubowski, Director Of The Award Winning Documentary Trembling Before G-D

Issue 18 (FW31)
Edited by Ken Wilder and Adam Kossoff: Angles of projections

Ken Wilder And Adam Kossof
Angles of Projection
Margaret Iversen
The Gaze in Perspective (Introduction)
Catherine Elwes
The Multiple Spaces of Monitor Based Installation
Tony Sinden
Cool Room
Adam Kossoff
Terra Infirma: Nearness Versus Farness

Issue 17 (FW30)
Edited by Metin Alsanjak and Catherine Elwes

Metin Alsanjak
The Growth of Artist’s Film at the Film Festival. A Report
George Clark
Reflections on Emerging: New British Artists’ Film and Video
Catherine Elwes
Video Art, The Early Years
Toby Haggith
Ori Gersht - The Clearing

Issue 16 (FW29)
Edited By Orla Ryan: On Memory And Film

Orla Ryan
Memory And Film
Jessica Scarlata
Othello Nightmares: Time, Race And Tragedy In Fred Wilson’s September Dream
Pat Murphy
Begin With A Memory
Janine Sack
There Was A Plan

Issue 15 (FW28)
Edited by George Barber: On Found Footage

George Barber
Found Footage
Michael Maziere
The Big Search
Kathy Kubicki
Found Material In The Work Of Jordan Baseman
Kathy Kubicki
Venice Biennale 2005 Report On Video

Issue 14 (FW27)
Edited by Jackie Hatfield: On Expanded Cinema

Jackie Hatfield
Expanded Cinema - And ‘Cinema Of Attractions’
Grahame Weinbren
The Erl King and Its Digital Emulation
Chris Hales
Cinematic Interaction: from Kinoautomat to Cause and Effect

Issue 13 (FW26)
Edited by Gill Addison: On VALIE EXPORT

Gill Addison
Yes, VALIE EXPORT….
Laura Malacart
Touch Me, Touch Me Not
Tina Keane
Couch Live Performance With Camera, Projection And Internet Link
Rosa Reitsamer
Who_Wants_To_Be_A_Feminist?

Issue 12 (FW25)
Edited by David Chapman: On sound in artists’ film and video

David Chapman
Opening the Sonic Envelope
Richard Couzins
A Piece to Camera: Voice in Artists in Film and Video
Gill Addison
Speaking Openly
Rob Flint
Performance, Improvisation and Image Processed Video
Louise K Wilson
Chris Watson : zoviet* france:

Issue 11 (FW24)
Edited by Sarah Pucill: The question of the subject and the autobiographic

Sarah Pucill
The Question Of The Subject And The Autobiographic In Artists Moving Image Practice
Lucy Reynolds
Re-Interpreting Reel Time
Jackie Hatfield
The Subject In Expanded Cinema

Issue 10 (FW23)
Edited by Catherine Fowler: Double Visions, Double Frames

Catherine Fowler
Double Visions, Double Frames
Maeve Connolly
The double space of Willie Doherty’s Re-run
Jackie Hatfield
Some Reasons for a Review of the Avant-garde Debates around Definitions of Narrativity
Maria Walsh
And ethics of looking: Marine Hugonnier’s Ariana and Tacita Dean’s Boots
Gill Eatherley
Extracts from Recordings for Relating a Tape/prose Piece by Annabel Nicholson (1979)

Issue 9 (FW22)
Review of A Century of Artists’ Film and Video

David Curtis
Curating a Century of Artists’ Film in Britain
Nina Danino
A Century of Artists’ film in Britain : A Response to the Curatorial Rationale
George Barber
‘Why I love caravans and VHS video cassettes’

Issue 8 (FW21)
Edited by Gill Addison: On the relationship between performance live art in film and video

Gill Addison
A third space
Laura Malacart
Live Culture at the Tate Modern
Nicky Hamlyn
The undercut reader: Critical Writings on Artists’ Film and Video. Edited by M Maziere and N Danino
Aaron Williamson
Performance Film
Ian White
Recording and Performing: Cinema as a Live Art
David Chapman
Wigs of Wonderment
Doran George
What I feel inside and what I see through your lens

Issue 7 (FW20)
Edited by Kathy Kubicki

Kathy Kubicki
A sense of place in the work of Ori Gersht and Shirin Neshat
Nicky Hamlyn
Douglas Gordon: What Have I Done
Chris Townsend
Locating video: The experimental works of Beryl Korot
Charlotte Mullins
Victor Burgin: Watergate
Anna Malik
What lies beneath? Steve McQueen’s Carib’s Leap and Western Deep
Libby Anson
Alienation and Trauma: Inside the work of Juan Delgado
Taru Elfving
Innocence as a screen: Georgina Starr’s Bunny Lake Series
Steven Ball
British Artist’s Film and Video Study Collection

Issue 6 (FW19)
Edited by Gill Addison

Gill Addison
Editorial: Etnography Of The Near
Laura Malacart
The Fiction Of The Real: Ahtila at the Tate
Alia Syed
From New Cross to Hoxton 
Alya Syed
Alia Syed and Noski Deville. Secret Films and Cinematographic Emotion
Jananne Al-Ani
She Said
Roy Wallace
The Politics of Process

Issue 4 (FW17)
Edited By Catherine Elwes

Tamsin Dillon
Twice upon a time. Notes on a recent work by Mark Dean
Nicky Hamlyn
Turner Prize 2001
Peggy Gale
Into the light: The Projected Image in American Art 1964-1977 Whitney Museum of American Art, NY
Sue K
Creating the light: Experimental Film and Video at Gallery 291
Catherine Elwes
Dipping into the digital: the persistence of Gestalt
David Garcia
Artist as Toolmaker: Art Works that Learn
Cedar Lewisohn
Stan Douglas: In and Out of the Frame An interview with Kate Bush of The Photographer’s gallery

Issue 5 (FW18)
Edited by Susan Morris

Susan Morris
Editorial: The Blank
Lucy Steeds
Time’s Printless Torrent: La Pluie
Lucy Reynolds
The suspended narratives of Stan Douglas
Marc Hulson
Edward Dorrian: Contingency and Incident
Malcolm LeGrice
Shoot! Shoot! Shoot!
Ruth Blue
Arrêt demandé

Issue 3 (FW16)
Edited By Catherine Elwes

Catherine Elwes 
Thinking about Pipilotti Rist at Tate Modern and on the South Bank
Anna Katrine Dolven at the South London Gallery
Leigh McCarthy
Doug Aitken: The Ecstasy of Communication
Nicky Hamlyn
Almost Cover to Cover: Michael Snow. A retrospective at the
Arnolfini Gallery.
New York Conversations. Filmmakers talk to Barbara Meters
Books: Catherine Elwes
Art and Feminism: Edited By Helena Reckitt And Peggy Phelan
The Fruits Of Labour Creativity, Self-Expression and Motherhood
Edited by Penny Sumner

Issue 2 (FW15)
Edited By Catherine Elwes

Catherine Elwes
Tacita Dean at Tate Britain
Nicky Hamlyn
Bill Viola: Five Angels for the Millennium and Other New Works
Chris Meigh-Andrews
Video Tapes, Installations & Projections; 1978-2001
Laura Malacart
Video in Venice
Uri Tzaig at the Lux Gallery
Sharon Morris
Moving Image as Art : Time-based Media in the Art Gallery. A
conference at Tate Britain and Tate Modern

Issue 1 (FW14)
Edited By Catherine Elwes

Catherine Elwes
Starting A Conversation About… Artists’ Film, Video And Installation.
Sotiris Kyriacou
Michael Maziere And Cordelia Swann At Wigmore Fine Arts
Clive Gillman
Processing Fluid a Brief History of Independent Moving Image Art In the UK
Anna Thew
Film’s Lascivious Surface or Film Is The Future
Katharine Meynell
Specifically Video
Peter Gidal
There Is No Other
Marty St James
Videotelepathies
Julia Knight
The Problem Of Practice: Julia Knight Reviews The Literature On British Independent Film And Video