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Antonioni

The Passenger or the search for identity (FW31)

The more things change

How did the ‘underground’ move in the last ten years? By Duncan Reekie

“Underground cinema in the mid-nineties sought to popularise and democratise experimental cinema, it sought to break down the bogus and repressive divide between pop culture and Art and it attempted to create a truly independent cinema free from both the commercial monopolies of the mainstream industry and the dead hand of the State funding agencies”